In a radical move for director Tim Burton, the score for his latest film was written by the collaborative team of Mike Higham and Matthew Margeson, both skilled in composing, orchestrating, and arranging for a diversity of projects (including several Hans Zimmer productions). 

I’ve divided the podcast on Miss Peregrine’s Home for Peculiar Children into separate halves, starting with Matthew Margeson in Part 1, and Mike Higham in Part 2. Additionally, coming soon is a separate and more detailed Q&A with Higham on his other specialized skill, an ace music editor.

Visit KQEK.com for more info and a review of La-La Land Records’ Miss Peregrine soundtrack CD.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

In a radical move for director Tim Burton, the score for his latest film was written by the collaborative team of Mike Higham and Matthew Margeson, both skilled in composing, orchestrating, and arranging for a diversity of projects (including several Hans Zimmer productions). 

I’ve divided the podcast on Miss Peregrine’s Home for Peculiar Children into separate halves, starting with Matthew Margeson in Part 1, and Mike Higham in Part 2. Additionally, coming soon is a separate and more detailed Q&A with Higham on his other specialized skill, an ace music editor.

Visit KQEK.com for more info and a review of La-La Land Records’ Miss Peregrine soundtrack CD.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.